![]() The album features a collection of new and previously unreleased tracks. They were also re-released with the singles "Keep My Coo", "Ghost Boy", "Live Forever" and "Liar" The latter three songs are from his EP, Goth Angel Sinner, which was released on October 31, 2019. The album was supported by three singles: "Moving On", "Belgium", and "When I Lie". Several pop-up events to take place in November in New York City and Los Angeles were planned. The album was released alongside a documentary of the same name. The album was announced on November 1, 2019, which would have been the rapper's 23rd birthday. It was released on November 15, 2019, by AUTNMY via Columbia Records, exactly two years after his death. A boy in Long Island becoming a star by retreating into his bedroom, linking with like-minded artists in Seattle and California on Soundcloud, his most devoted fanbase in countries he’d never dreamed of going to, his spirit given life again online by his loved ones and acolytes.Everybody's Everything (stylized as EVERYBODY'S EVERYTHING) is the first compilation album by American rapper Lil Peep. ![]() That “Such Great Heights” flip is maybe the most obvious sample in Peep’s catalogue, but there’s something in the Postal Service’s practice of recording Give Up-Jimmy Tamborello and Ben Gibbard sending demos back and forth through the mail-that speaks to Peep’s life and legacy. Tracy and Peep recorded “white tee” on the first day they met, back when Tracy went by Yung Bruh. The album concludes with four of their most iconic duets: “white tee,” “cobain,” “witchblades,” and an unreleased acoustic version of “walk away as the door slams.” Their songs together belong as much to Tracy as they do to Peep on “witchblades,” Tracy sets up the shot-“Cocaine, all night long/When I die bury me with all my ice on”-and Peep brings it all the way home-“When I die bury me with all my ice on/When I die bury me with all the lights on.” There’s a deep feeling of brotherly love in the agony they share together in song, two spirits brought together by shared illnesses and anguish. ![]() Most essentially, this album writes a key collaborator back into Peep’s narrative: Lil Tracy, his self-described “twin” and a vocal critic of the appropriation of his legacy. It is the work of a kid still determining his creative identity, and the best part of EVERYBODY’S EVERYTHING is how it shows him figuring himself out through his work with others. It’s one of Peep’s few straight-up rap songs, with bars about blowing gas and playing Madden, more indistinct than bad. Peep’s monotone ad-libs sound so clearly influenced by BONES, whose hazy, haunting raps were all the rage online around the time “Keep My Coo” would have been recorded. The weakest song is unsurprisingly the oldest: “Keep My Coo,” posted to SoundCloud in 2014 but deleted at some point after. These songs, apparently intended for a “summer EP,” are considerably brighter than most of Peep’s work, more pop-punk than emo thanks to upbeat guitars and Gab3’s nasally flow. Three tracks-“Fangirl,” “LA to London,” “Rockstarz”-feature Gab3, formerly of the duo Uzi (whose Eiffel 65-flipping, rave-inflected raps are highlights of the SoundCloud rap era), maybe better known as the lo-fi cameraman behind Kanye’s “ Famous” video. Though Peep obviously wrote and recorded “Moving On” before he passed, it’s hard not to hear that song’s role call of the GBC roster as shout-outs sent to old friends from beyond. Featured here are most of the regular producers who helped shape his polarizing blend of genres, like Nedarb, Fish Narc, Bighead, Smokeasac, and fellow GothBoiClique member Cold Hart. What EVERYBODY’S EVERYTHING shows is an artist beyond his sadness more than a portrait of Peep alone, it tells his story in collaborations. Few polished pop flourishes are found here, mostly just the looped guitars, trap drums, and aching vocal fry that made Peep an angel to so many. 2 hardly left an impression this compilation makes up for the sanitization and sanded-down edges of that album by leaving everything mostly untouched. As someone who blasted “ Beamer Boy” for weeks after Peep died, last year’s Come Over When You’re Sober, Pt. This compilation, released to accompany the documentary of the same name, collects recordings from various points in Peep’s career, from unheard collaborations with Rich the Kid and Diplo, to earlier tracks never formally released on streaming services, as well as all three songs from the recent GOTH ANGEL SINNER EP.
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